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He says that he lives in Bad City, but that this street is not familiar. He stops and asks her why she is in Bad City. Arash tells her to sit down with him on the street. The Girl says that they can't sit down in the middle of the street, but he could go to her home as she lives nearby, but Arash is felling so badly that he can't walk.
He tells her to pack her staff in and leave the city with him. He begs her not to leave him alone.The Girl stays silent and gives him the back. She undresses and puts on a different t-shirt. Back home, he takes a glass of water to his father, who tells him that he should die and leave him alone.
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We are usually left with a bloody and shallow horror piece devoid of any real sense of dread and that showcase the filming techniques employed and the environments used. If you like horror films or really anything unique and original that keeps you guessing, then this is a great piece of film that is a refreshing change of pace from most modern horror schlock out there. The Iranian ghost town, home to prostitutes, junkies, pimps, and other sordid souls, is a place that reeks of death and hopelessness, where a lonely vampire is stalking the towns' most unsavory inhabitants. But when boy meets girl, an unusual love story begins to blossom...blood red.The first Iranian Vampire Western, Ana Lily Amirpour's debut feature basks in the sheer pleasure of pulp.
She is the perpetrator, not the victim, and possesses agency and power that would not be typically reserved for her in an environment such as Bad City. In this way, the film has feminist leanings. A Girl Walks Home Alone at Night takes place in "the Iranian ghost-town Bad City" and depicts the doings of "a lonesome vampire".
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The project ended up with a total sum of $56,903 raised by 290 backers. Rockabilly, a gender-bending, minor background character who exists on the fringe of Bad City throughout the duration of the movie, acts as a silent observer to the events around them. Director Amirpour states that "If there's one political thing , it's not the chador, it's Rockabilly, because it's not okay to be gay in Iran." Visually and musically a cotton-candy fest. It reminds me atmospherically of spike lee's summer of sam minus the dialogue.
The Girl was passing down and she feels that they are both going to overdose, probably because Masuka is watching everything.She jumps in from outside the window and pushes Hossein away from Atti. Atti and the cat see as the Girl feeds on Hossein. Atti doesn't look particularly terrified.She helps the Girl to get rid of the body. They are scared of a shadow from inside a window.
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Artsy fartsy at its "best", nicely filmed and with some interesting choices of music, but with no plot to speak of and several scenes that just keep dragging on. Residents of a worn-down Iranian city encounter a skateboarding vampire who preys on men who disrespect women. Verified reviews are considered more trustworthy by fellow moviegoers. We want to hear what you have to say but need to verify your account.
Promoted as "The first Iranian vampire Western", it stars Sheila Vand, Arash Marandi, Mozhan Marnò, Marshall Manesh, and Dominic Rains. It was financed in part by a crowdfunding campaign on Indiegogo. Like Akhavan’s heroine Shirin, Amirpour’s woman has a certain elegant self-possession and a faintly glum calm. One is a heterosexual vampire, the other is a mortal bisexual.
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Under the influence, he becomes disoriented, and ends up lost at night on the street. In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire. An Iranian Vampire Western, shot in black&white and with a killer soundtrack... It's a love story about two tortured souls in a desolate Iranian Ghost-town called 'Bad City', where a lonely vampire is stalking the towns most depraved denizens. That it's the first Iranian vampire film is really the only thing going for it when compared to other vampire flicks. It's kind of art-house , although it has a few decent parts.
They are harassed by a cruel, drug-dealer pimp named Saeed, who seizes the young man's prized car in exchange for money the father owes him. In a crime of opportunity, Arash steals a pair of diamond earrings from the wealthy young woman he works for, Shaydah. The Girl keeps on stalking the illuminated nights. Arash is staring at one of the street lamps.The Girl skates by but stops in front of him. A drugged Arash asks the Girl where they are, as he got lost.
This film is just occasionally a bit too cool for school - but mostly just cool enough, which is very cool. The Girl is watching her, so Atti gets a move on. Atti realizes that the Girl is stalking her, but she stops when she stops. Atti faces her and asks why she is following her. The Girl shows her expensive jewelry and Arash's stolen watch from Saeed.
She puts on some music while Arash is still drugged out of his mind and plays with a disco ball. A young woman called Shayday calls Arash in. She looks to be her employer, as Ashar is doing a little gardening. She looks like she has had a nose surgery job and an obnoxious brat. She is on her mobile phone speaking to somebody about going out.
This movie has a lot of really great moments to it--I loved all the scenes with the two protagonists, for instance, and a lot of others. However, there were a lot of very long musical interludes with abstract shots which were beautiful, but slowed down the film and the story I was interested in. Still, the central story and the main characters were incredibly compelling, and in my opinion, the movie ends perfectly, so it's worth the wait to get there. The while film is in black and white giving it the feel of those old school horror movies of the 30's and 40's. Sheila Vand certainly can be creepy as the vampire, it's amazing what a dark cloak and pale face can do to make one look unnerving, but the movie isn't scary at all. Only a few moments of actual vampirism take place.
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